1- Imam Khomeini International University, Iran, Qazvin
2- Imam Khomeini International University, Iran, Qazvin ,fathtaheri@hum.ikiu.ac.ir
2- Imam Khomeini International University, Iran, Qazvin ,
Abstract: (75 Views)
Abstract
Deleuze's intellectual project starts with his reverse reading of Kant's philosophy. Deleuze's perception of Kant shapes one of the bases of his ontological system. In his various works, he links the concept of truth to some other concepts, and to explain it with a new reading, he interprets other philosophical systems. Still, this process takes place in the direction of criticizing Kant and Deleuze's special attention to him. According to Deleuze, since Kant, aesthetics has suffered an irreversible duality; on the one hand, it refers to sensitivity as a form of possible experience; on the other hand, it refers to art as a reflection of real experience. This duality has led to the creation of a distinction between two images of thought, which creates the basis for the creation of two different perceptions of the concept of truth. In one picture, the perceptive powers tend to the truth in a natural and self-willed way and present the truth as a general and universal point of view; in another picture, thinking is caused by the forces that are unintentionally imposed on the perceptive powers and presents truth as the formation of real experience and the production of something new. This research aims to study the dual concept of truth in the light of Deleuze's attitude and his special reading of Kant and achieve a clear understanding of how to produce the New.
Deleuze's intellectual project starts with his reverse reading of Kant's philosophy. Deleuze's perception of Kant shapes one of the bases of his ontological system. In his various works, he links the concept of truth to some other concepts, and to explain it with a new reading, he interprets other philosophical systems. Still, this process takes place in the direction of criticizing Kant and Deleuze's special attention to him. According to Deleuze, since Kant, aesthetics has suffered an irreversible duality; on the one hand, it refers to sensitivity as a form of possible experience; on the other hand, it refers to art as a reflection of real experience. This duality has led to the creation of a distinction between two images of thought, which creates the basis for the creation of two different perceptions of the concept of truth. In one picture, the perceptive powers tend to the truth in a natural and self-willed way and present the truth as a general and universal point of view; in another picture, thinking is caused by the forces that are unintentionally imposed on the perceptive powers and presents truth as the formation of real experience and the production of something new. This research aims to study the dual concept of truth in the light of Deleuze's attitude and his special reading of Kant and achieve a clear understanding of how to produce the New.
Type of Study: Original Article |
Subject:
Philosophy
Send email to the article author
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |
Vote
